blog > 2011 > August

What I Have Learned from Peahens by Misha Lyuve

Aug 30, 2011
A peahen is the peacock’s female counterpart – I didn’t know it myself before writing this…

 

What is essential is invisible to the eye.” — Antoine de Saint-Exupéry “The Little Prince”

peacock, borromeo islands, lake maggiore, is0la bella

Peacocks are arrogant showoffs. First, they will shamelessly have you beg them to open their trains and then they will stand in front of you demanding admiration. On the other hand, if I were that good-looking, I would probably behave the same way – thankfully god spared me.

If they were at least smart, but peacocks are really turkeys with glam. Taking advantage of their good looks, they became a subject of symbolism in different cultures - from good luck to eternal life. That’s a lot to carry. Especially when every fool wants a piece of you, or at least a feather.

And all that is fine, but wouldn’t one expect Mother Nature to be more practical? If the goal is survival, go run and hide with the tail that exceeds your body size. It’s like a supermodel running away from a serial killer in 7-inch heels… One would think that such inconveniences would lead to extinction.

My trip to Borromeo Islands on lake Maggiore in Italy, where peacocks and other exotic birds roam in glorious gardens, spiked these observations and curiosity. My research uncovered that while the whole world is fascinated with peacocks, the real power is in the hands of peahens, though maybe not exactly hands. Procreation happens to be more important than just survival, and it turned out that peahens have really high standards for their mates. So these plain looking creatures are the real source of the beauty. That’s what I call power.

As for the pictures, I was so busy running after peacocks, that I hardly paid attention to peahens.

So what have I learned from peahens? – Sit quietly, unnoticeably, and run the whole freaking show.

peacock, borromeo islands, lake maggiore, isola madre

Life by Misha Lyuve

Aug 24, 2011

Chronology of a Sunset by Misha Lyuve
topics: ,

Aug 23, 2011

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.

T.S. Eliot

Also see: Why We Don’t Get Tired of Sunsets or at Huffington Post

Un-tropical islands of Venice by Misha Lyuve

Aug 21, 2011

The un-tropical islands of Venice are pure contradiction. And all my time in Venice I couldn’t help but wonder – how do we make beauty accessible to the world and at the same time protect it from ourselves?

The combination of old buildings and bridges that are kept in just the right balance of being run-down and taken-care-of, interlaced with a one-of-a-kind maze of canals with a greenish hue and a subtle aroma – all together creating an experience of something perfectly charming and intoxicatingly irresistible. Go figure.

Overlay this charm with crowds of eager tourists and, complimenting their commercial urges, stores that sell everything from high fashion to fast food, tightly cramped into narrow streets and old building. My hotel host, a very very helpful woman, told me: “I came here because I love people – that’s my problem”. Indeed, it might be only “problematic” love for people that would have someone move to this zoo where locals slowly dwindle away and the ones that stay are hardly visible.

But how could I possibly stay indifferent to the romantic beauty of twilight reflections of old walls and wooden frames into the waters of canals or finding an unexpected quiet lonely piazza that managed to escape the curiosity of the mob? And how is is possible to share treasure without the sharing becoming detrimental to the treasure itself? (In case of Mona Lisa, they stuck it into a glass box – I am sure Leonardo da Vinci had something else in mind.)

Tired of all these grieves, Venice is sinking; or maybe the seas are rising; or both – there is a mystery to causes and effects that govern the world. In a desperate attempt to save the beauty, the MOSE Project is developing a system of flood gates, that are designed to block Venetian Lagoon from rising waters. So far the project has cost $7B and there is no agreement whether it will solve the problem and even if it does for how long. Should we continue exploiting Venice’s beauty or just let her peacefully go?

You don’t know Jack by Misha Lyuve

Aug 7, 2011

Can one loathe euthanasia and, at the same time, admire Jack Kevorkian , its most prominent advocate, for the strength of his convictions and commitment? In other words, what would it take to separate a person from a cause he represents?

As if our support of gay marriage, women’s choice, or assisted suicide turns us into fair open-minded people; and our opposition makes us good Christians, or whatever good we are aspiring to be. Or as if one could really judge intentions and talent of our politicians based on their yes-no answers in the scorecard of controversial issues.

Watching “You don’t know Jack”, a movie about the life of late Dr. Jack Kevorkian and assisted suicide, made me think about how our society deals with controversy. There are plenty of reasonable arguments about personal choice, freedom, god, sanctity of life and a role of a government in our lives. Controversy starts when contradictions among these arguments lead to moral and philosophical dilemmas. A myriad of positions on a controversial issue are based merely on which arguments are more important to different people.

Let’s take Dr. Jack Kevorkian, who performed 130 assisted suicides, challenging legal and social orders and became synonymous with the cause itself. For his supporters he is a hero. His opponents blame him for being negligent and consider him a serial killer . But outside of the labels, who is Jack Kevorkian? His interviews and art give a lot of material to start answering this question, and in my opinion, “You don’t know Jack” is a great attempt to understand his motivations, struggles, and the character.

As for my life and death, I have a clear point of view how I think those should go. However, as for everyone else’s, I’m the first to admit, I don’t know jack. In fact, I think the most productive way to start participation in a debate on a controversial topic is with “I don’t know.” This would allow some real dialogues and could lead to finding much more effective solutions for controversial issues, leaving us much less divided and more compassionate and accepting.

Nearer my god to thee by Jack Kevorkian

Nearer my god to thee by Jack Kevorkian

About the painting in artist’s words:
This depicts how most human beings feel about dying — at least about their own deaths. Despite the solace of hypocritical religiosity and its seductive promise of an after-life of heavenly bliss, most of us will do anything to thwart the inevitable victory of biological death. We contemplate and face it with great apprehension, profound fear, and terror. Sparing no financial or physical sacrifice, pleading wantonly and unashamedly, clutching any hope of salvation through medicine or prayer. How forbidding that dark abyss! How stupendous the yearning to dodge its gaping orifice. How inexorable the engulfment. Yet, below are the disintegrating hulks of those who have gone before; they have made the insensible transition and wonder what the fuss is all about. After all, how excruciating can nothingness be?